Adam Rogers, writing for Wired:
KATHLEEN KENNEDY HAS heard a lot of movie pitches. For decades she worked with Steven Spielberg, producing E.T. the Extra-Terrestrial, the Indiana Jones series, the Jurassic Park series. You get the picture. So it probably wasn’t a surprise—it was cool, even—when, right after Kennedy took over as head of Lucasfilm, the company George Lucas founded to make Star Wars, John Knoll walked into her office.
Knoll is not nothing, either. He’s the chief creative officer at Lucasfilm; he did the visual effects on the Star Wars “special editions” of the 1990s and a couple of Star Trek movies, among others. Along the way he cocreated Photoshop.
This was 2012, and even then, it was pretty clear Lucasfilm was going to make more Star Wars movies. “I just have this very simple idea,” Knoll said, “about the rebel spies in the opening crawl of A New Hope who steal the plans for the Death Star.”
Kennedy got Knoll’s reference, of course. It’s at the beginning of the movie, in the ribbon of text that sets the scene: “Rebel spies managed to steal secret plans to the Empire’s ultimate weapon, the Death Star.” The plans are the MacGuffin, the thing everyone is chasing. The spies? No one mentions them again.
“That is a very good idea, John,” Kennedy said. So … green light. Apparently that’s how you get to make a Star Wars movie.
This is a long, long read. It is very, very interesting. Be sure to mouse over the artwork (by Ulises Farinas) at the top of the page.
Knoll and his brother are brilliant. Looking forward to anything new with Star Wars attached to it.
Adam Rogers sure fell in love with the word “paracosm”, didn’t he? Great article, though.
You know that scene in Ratatouille where the restaurant critic takes the bite of ratatouille and is transported back in time? I have a feeling that’s what watching The Force Awakens is going to be like. It’s going to be the 13-year-old me in the seat in that theater.