As the iPad is only for content consumption, this is clearly a slightly-disguised MS Surface, where I can get real work done with my additional Type Cover with Trackpad™. Because how else?
I really think the iPad mini was not meant for that. But I like to see people using it nonetheless. I personally prefer the bigger screen for more “creative” tasks, but that’s me (and I prefer the Retina display).
Fascinating. And as an some-time illustrator, I am particularly intrigued to see that the artists applied that same Renaissance classic technique of building the image with sepia/umber undertones then applying color over the base image.
I have to say that I am impressed, “iPad as media consumption” device not withstanding… go software. Stil have my eye out for a precision stylus, but this is still encouraging.
As mentioned, that is a classic Renaissance painting technique, as opposed to the more modern technique of direct impasto. I’m spoiled working in photoshop, where I can bust stuff out in layers, and tweak endlessly….
Total fake. We all know you can’t create on an iOS device. Ballmer and Gates told us so
As the iPad is only for content consumption, this is clearly a slightly-disguised MS Surface, where I can get real work done with my additional Type Cover with Trackpad™. Because how else?
consumption only?
What app is the artist using?
But, I still can’t remove the battery. 🙂
Amazing.
ArtStudio.
http://www.iphoneclan.com/artstudioipad/
Phew, using the iPad mini for that seems tough to me. Impressive. The small screen isn’t meant for that kind of endeavor 😉
Wow!!!!
James!
Nice to see you here.
Really? Seems perfect to me.
Ah, that’s a wink, isn’t it?
To all who say you need a stylus to work effectively on a pad or smart phone, I say check this video out.
Just a thought
I really think the iPad mini was not meant for that. But I like to see people using it nonetheless. I personally prefer the bigger screen for more “creative” tasks, but that’s me (and I prefer the Retina display).
Fair play.
That was amazing.
It wouldn’t work if you did
Fascinating. And as an some-time illustrator, I am particularly intrigued to see that the artists applied that same Renaissance classic technique of building the image with sepia/umber undertones then applying color over the base image.
I have to say that I am impressed, “iPad as media consumption” device not withstanding… go software. Stil have my eye out for a precision stylus, but this is still encouraging.
People who can create images always amaze me. I’d have a hard time drawing a horsey.
Interesting how the artist lays down most of the color only after the depth cues are there.
Top insight, just there
Haha! Try this then: draw two lines, just that. Years from now when you see it you’ll know exactly what you meant.
As mentioned, that is a classic Renaissance painting technique, as opposed to the more modern technique of direct impasto. I’m spoiled working in photoshop, where I can bust stuff out in layers, and tweak endlessly….
Shows you how little I remember from Art History class. And how much I wish I’d taken more of them.
Adobe’s Napoleon and Mighty will be quite the design once it’s released. Be sure to check it out.
Good point.