Apple today updated its iMac line with up to 8-core Intel 9th-generation processors for the first time and powerful Vega graphics options, delivering dramatic increases in both compute and graphics performance.
The details:
The 21.5-inch iMac now features 8th-generation quad-core, and for the first time 6-core processors, delivering up to 60 percent faster performance.
The 27-inch iMac now for the first time features up to 9th-generation 6-core and 8-core processors, delivering up to 2.4 times faster performance.
The 21.5-inch ranges in price from $1099 to $1499. The 27-inch ranges in price from $1799 to $2299.
All of these prices are with the default of 8GB of RAM. Before you buy, be sure to dig into the specs. Not all the RAM is the same speed.
John Gruber’s list of reasons the new iPads only support the original Apple Pencil:
The Pencil 2 requires an iPad with flat sides for the magnetic charging and pairing.
The flat sides of the newest iPad Pros go hand-in-hand, design-wise, with the edge-to-edge (or “edge-to-edge” if you prefer) round-corned displays, and Face ID instead of Touch ID. Those things all add to the price of iPad Pros.
In theory Apple could have given these new iPads flat sides just to support the new Pencil, sticking with the square-cornered display, larger chin and forehead, and Touch ID — but that’s not how Apple rolls. Such design elements are integrated with the whole.
And:
If Apple had wanted the new Pencil 2 to work on all new iPads, they would’ve had to put a Lightning plug on the new Pencil in addition to supporting conductive charging and pairing. But that’s really not how Apple rolls — that would have ruined one of the things that makes the new Pencil so much nicer than the old Pencil. Better to have a messy product lineup where some new iPads only support the new Pencil and others only support the old Pencil than to have a messy new Pencil.
All fair points. To get a sense of how Apple is handling this, take a look at the Apple Pencil buy page. If you are buying an Apple Pencil, Apple steers you here to make sure you don’t buy the wrong product.
My only quibble is with the product name. The original Apple Pencil is clearly very different from Apple Pencil 2. Both belong to the same product line, but Apple has a traditional of calling out the differences. Consider Apple Watch Series 4, or MacBook Pro 2018. Not sure why they didn’t do that here, but c’est la vie.
I love this appreciation piece for GarageBand. It’s full of interesting details, both past and present, and worth a feet up, sprawled on the couch read.
One nit. The original headline calls it Garageband. It’s GarageBand.
The iPad mini and iPad Air Apple quietly announced ahead of its big March event will come with eSIM support. Cupertino’s latest iPad Pros have eSIM support, as well, but these new entries are the first non-Pro models with the feature. While the Apple SIM works similarly — and present in older non-Pro iPads — it’s only compatible with the tech giant’s partner carriers. By giving these devices eSIM support, they’ll be able to work even on the networks of non-partner carriers.
A small thing, but really important for folks who travel.
Apple is planning a big announcement to unveil its new video strategy next week, and there is a long list of unknowns about Apple’s plans. Now we know one thing: Netflix won’t be a part of them.
And:
Netflix CEO Reed Hastings confirmed Monday that the company won’t be selling subscriptions to its video service through a hub that Apple plans on launching, similar to one that Amazon already uses to sell video subscription services like HBO and Showtime.
And:
In 2016, for instance, when Apple launched a new “TV” app, designed to be a digital TV guide, Netflix never signed on. And late last year, Apple stopped selling subscriptions to its service via Apple’s store.
Will Apple lose because they won’t have Netflix on their hub? Will Netflix lose because they isolate themselves from the core of clustered services that consumers see most? Or is this much ado about nothing?
A decade ago–long before the current controversies over what big companies are doing with our data–a lot of people were already irate about ad networks that followed their activity across sites in order ever more precisely to target marketing messages. A feature called Do Not Track arose as a simple, comprehensible way for browser users to take back their privacy. To opt out of being tracked, you’d check a box in your browser’s settings.
Notably, this didn’t opt out of advertising–just the technology used to target ads. With Do Not Track checked, no web server or embedded code would associate your behavior at a given site with actions elsewhere on the web. It was a great idea.
And now it’s dead.
The death of Do Not Track is the reason why I don’t give a damn about ad publishers and their moaning about adblockers and other efforts to thwart them. We tried being nice to you and you were jerks about it. No sympathy.
Phone numbers stink for security and authentication. They stink because most of us have so much invested in these digits that they’ve become de facto identities. At the same time, when you lose control over a phone number — maybe it’s hijacked by fraudsters, you got separated or divorced, or you were way late on your phone bill payments — whoever inherits that number can then be you in a lot of places online.
How exactly did we get to the point where a single, semi-public and occasionally transient data point like a phone number can unlock access to such a large part of our online experience? KrebsOnSecurity spoke about this at length with Allison Nixon, director of security research at New York City-based cyber intelligence firm Flashpoint.
I avoid like the plague giving anyone my phone number or Social Security/Social Insurance number. If a company demands I include one, I’ll give them a fake number whenever possible. It doesn’t work in all situations but I try to limit it as much as I can.
The ARPANET, as it was called back then, was designed by government, industry and academia so scientists and academics could access each other’s computing resources and trade large research files, saving time, money and travel costs.
The network grew exponentially from its earliest days, with the number of connected host computers reaching 100 by 1977, 100,000 by 1989, a million by the early 1990’s, and a billion by 2012; it now serves more than half the planet’s population.
It sounds utopian, but in those early days, we enjoyed a wonderful culture of openness, collaboration, sharing, trust and ethics. That’s how the Internet was conceived and nurtured. I knew everyone on the ARPANET in those early days, and we were all well-behaved. In fact, that adherence to “netiquette” persisted for the first two decades of the Internet.
Today, almost no one would say that the internet was unequivocally wonderful, open, collaborative, trustworthy or ethical.
The growth of the internet was unimaginable by these guys 50 years ago just like we can’t imagine what it will be like 50 years from now but it sure as hell isn’t likely to be “unequivocally wonderful, open, collaborative, trustworthy or ethical.”
Don’t get me wrong: Adobe’s software is great, if a bit expensive. But I do think that its business model highlights just how consolidated its power actually is—and it’s not talked about nearly enough in the creative space.
Let’s discuss how Adobe’s became the center of the creative ecosystem, and why that should be of concern.
I don’t think CC is “too powerful” but it is a conversation worth having. A lot of people aren’t happy with where the Creative Cloud is going and how locked in many of us are to it.
Bare Bones, makers of BBEdit, is one of my favorite software companies—in fact, I’ve been using their software for more than 20 years. Now, with the opening of their new online store, you can also own some Bare Bones clothing. T-shirts, hoodies, pins, fleece jackets, sweat pants and combinations of all of the products in a bundle are available from the store.
Apple today introduced the all-new iPad Air in an ultra-thin 10.5-inch design, offering the latest innovations including Apple Pencil support and high-end performance at a breakthrough price. With the A12 Bionic chip with Apple’s Neural Engine, the new iPad Air delivers a 70 percent boost in performance and twice the graphics capability, and the advanced Retina display with True Tone technology is nearly 20 percent larger with over half a million more pixels.
Apple on the new iPad mini:
Apple today also introduced the new 7.9-inch iPad mini, a major upgrade for iPad mini fans who love a compact, ultra-portable design packed with the latest technology. With the A12 Bionic chip, the new iPad mini is a powerful multi-tasking machine, delivering three times the performance and nine times faster graphics.3 The advanced Retina display with True Tone technology and wide color support is 25 percent brighter3 and has the highest pixel density of any iPad, delivering an immersive visual experience in any setting.
From what I can tell, both devices only support the first generation Apple Pencil. All the images show the first gen and the linked footnote specifically says, “The first-generation Apple Pencil sold separately.”
Both iPads are available to order right now and in stores next week.
One side thought: The iPad mini is the smallest iPad to support Apple Pencil. It does not have a magnet for charging and attaching the Apple Pencil. Seems achingly close to Apple Pencil support for the larger iPhone. Would you like Apple Pencil support on your iPhone?
The list of projects is at the end of the article, which also includes these two nuggets:
People involved in the coming series also said that Apple executives had expressed squeamishness when it comes to the portrayal of technology in the shows — how exactly are you using that iPhone? Or that Mac laptop?
And:
Executives at the company bristled when they discovered there would be scenes involving crucifixes in Mr. Shyamalan’s new thriller for the service, as The Wall Street Journal reported in September. But Apple ultimately allowed the crucifixes to remain, according to two people familiar with the series.
The list of shows detailed in the article:
Untitled Series With Reese Witherspoon and Jennifer Aniston
“Amazing Stories,” a Steven Spielberg Reboot
“Are You Sleeping?” a Mystery Starring Octavia Spencer
“For All Mankind,” a Ronald D. Moore Sci-Fi Series
“See,” With the “Aquaman” Star Jason Momoa
A New Shyamalan Thriller
“Little America,” From the Writers of “The Big Sick”
A Comedy From the “It’s Always Sunny in Philadelphia” Duo
“Central Park,” a Cartoon Musical
“Home,” From the Documentary Filmmaker Matt Tyrnauer
“Dickinson,” an Emily Dickinson Comedy
Remember, this is a list of shows that are finished (or close to finished) filming. Still lots of work to do, but this is a substantive achievement.
About a year ago, all music on MySpace from 2015 and older stopped working. At first MySpace said they were working on the issue, but they eventually admitted they lost all the data (and apparently didn’t have backups?).
From MySpace:
As a result of a server migration project, any photos, videos, and audio files you uploaded more than three years ago may no longer be available on or from Myspace. We apologize for the inconvenience and suggest that you retain your back up copies.
In an exclusive interview on the eve of the publication of the study, Sumbul Desai, M.D., Apple’s VP of Health, said that during the conceptualizing and design of the product, Apple worked with the medical community, especially around the concern of how to ensure that it won’t drive unnecessary use of medical resources through false positives.
And:
“Before a notification is given to a person, the feature has to see five instances that look like Afib.” Notes Dr. Desai. “By doing that gating within the algorithm, Apple designed toward specificity and toward avoiding unnecessary alerts.”
And this from Dr. Christopher Kelly, cardiologist at Columbia University Medical Center, on whether early detection helps people who are risk of Afib:
“A successful screening test is not one that just detects something earlier; it detects it earlier at a time where earlier intervention improves outcomes,” he says. “Over time we’ll figure out how to best use this stuff.”
Another nugget:
Through the flow of the study, Apple learned other facts about participants’ health: 38 percent were obese based on body mass index, 21 percent had high blood pressure, 5 percent had diabetes, 1 percent had a prior stroke.
Feels like we are just getting started here. Can’t wait to see what Apple Watch 5 has in store.
Stanford Medicine today reported results of the Apple Heart Study, the largest study ever of its kind, which enrolled over 400,000 participants from all 50 states in a span of only eight months. Apple and Stanford created the study to evaluate Apple Watch’s irregular rhythm notification, which occasionally checks the heart’s rhythm in the background and sends a notification if an irregular heart rhythm appears to be suggestive of atrial fibrillation (AFib). As part of the study, if an irregular heart rhythm was identified, participants received a notification on their Apple Watch and iPhone, a telehealth consultation with a doctor and an electrocardiogram (ECG) patch for additional monitoring.
To me, this is Apple at its best, bringing change to the world that helps us all.
Add to this the incredible business win for the Apple Watch and the iPhone.
I have soured quite a bit on the current leaders in social media. When Twitter, Facebook, and Instagram (owned by Facebook) aren’t making user-hostile decisions like algorithmic timelines and invasive tracking, they do everything possible to avoid their responsibility to curb hate speech in the name of Wall Street and profits.
I don’t want to support these platforms anymore, so I’m working on moving away from them. Fortunately, there are more positive places to hang out online that are built with more ethical foundations and respect for us regular folks. Some are even community-built and run, and they already have millions of users.
I’m less and less likely to post to Instagram, if only because of the ridiculous amount of advertising I see when I use the app. I’ve just recently re-upped my Pro membership on Flickr and will likely check out some of these other services on socialzinger.
Specialized firms like The Irish Pub Company (IPC) and ÓL Irish Pubs Ltd., both based in Dublin and backed by Guinness, along with smaller, more locally focused outfits like Love Irish Pubs, have helped install prefab pubs everywhere from small-town Ireland to Lagos, Nigeria.
Drinking in these retrofitted spaces is oddly comforting, akin to visiting Colonial Williamsburg or MGM Studios in Orlando. Fake-real pubs have unusual, undeniable appeal: They are grounded in something tangible and knowable, yet they exist apart from reality, and free from chaos and uncertainty.
Can these artificial Irish pubs be everything we want them to be? (Yes, of course they can. That’s the point.)
Even though many are “cookie cutter”, I still love the look and feel of a “true” Irish pub. My favorite was a hole in the wall Irish place in New York City off of Times Square we found during one Macworld Expo. Everyone who worked in the pub was actually from Ireland, many with accents so thick we could barely understand them. We closed the place down over several nights.
It was a big week for Apple. First they announced an event for March 25 where they are widely expected to announce a video and news service. Then they officially announced the dates for WWDC19. Lots to discuss this week!
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Apple is forming a team of people with awards strategy experience. In January, it hired one such person from Walt Disney Co.’s television group. The iPhone maker is also seeking a high-level candidate to oversee the process, one of the people familiar with the situation said. The company could be in the running for Emmy awards as early as 2020, according to people familiar with the process.
And:
Awards strategists arrange screenings and other publicity events for Hollywood insiders and others who vote on which movies and TV shows win awards. These promoters must work within strict guidelines while ensuring voters see the movies and even spend time with the actors and filmmakers.
No surprise there. But interesting to see how all this works. I am very excited to see Apple’s video efforts take form.
Spotify’s post was two days ago. Yesterday, Apple fired back:
What Spotify is demanding is something very different. After using the App Store for years to dramatically grow their business, Spotify seeks to keep all the benefits of the App Store ecosystem — including the substantial revenue that they draw from the App Store’s customers — without making any contributions to that marketplace. At the same time, they distribute the music you love while making ever-smaller contributions to the artists, musicians and songwriters who create it — even going so far as to take these creators to court.
Does Spotify pay Apple to be in the App Store? Try this exercise:
Launch the Spotify app
Logout (if you already have an account) and create a new account
Jump through a few hoops, then tap the Premium tab at the bottom of the screen
You’ll see a message that says “You can’t upgrade to Premium in the app”
So Spotify is complaining about a tax that they do not pay.
Add in the fact that Spotify is fighting the U.S. Copyright Royalty Board ruling that would increase payouts to songwriters by 44%. Notably, Apple is on board with the royalty increase.
To me, both of these things just get in the way of any valid points Spotify might be making. Not a good look.
This is a charming ad. But it’s also a serious ad. Apple does a nice job of presenting the message with a spoonful of sugar.
From the writeup:
Your privacy matters. From encrypting your iMessage conversations, or not keeping a history of your routes in Maps, to limiting tracking across sites with Safari. iPhone is designed to protect your information.
And here’s the ad. For some odd reason, reminds me (just a tiny bit) of Apple’s “Unlock” Face ID ad, showing a student unlocking everything in her path.
Apple notes in a patent application published today by the U.S. Patent Office that when it comes to authentication using facial recognition, there are potential cases where a user attempting to be authenticated (authorized) by a device cannot be distinguished from another user with closely related facial features.
Twins fool Face ID. Been a thing since the beginning.
Apple’s invention states that “Subepidermal imaging of a face of a user attempting to unlock a device may be used to enhance a facial recognition authentication process”
Subepidermal means below the skin. Interesting.
Subepidermal images of the user may be used to assess subepidermal features such as blood vessels (e.g., veins) when the device is attempting to authenticate the user. The subepidermal features may be compared to templates of subepidermal features for an authorized (e.g., enrolled) user of the device.
Sounds like Apple is offering an extra layer of facial verification for folks with twins or other doppelgängers.
And this last bit, which I found most fascinating:
For example, illuminator 105A and/or illuminator 105B may include an array of light sources such as, but not limited to, VCSELs (vertical-cavity surface-emitting lasers). A first set of light sources in the array may provide illumination at a wavelength for unlock attempt images while a second set of light sources may provide illumination at a wavelength for subepidermal images. The different sets of light sources may be turned on/off separately to allow a specific illumination (e.g., a specific wavelength of illumination) to be provided.
You had me at [Holds up fingers, makes air-quotes] lasers. Cool beans.
It might seem like there’s no winning against Facebook and Google, tech companies whose reach and influence are now practically inescapable. Facebook’s inability to police its own platform led to widespread misinformation ahead of the 2016 election. Google still can’t keep YouTube safe for kids. Meanwhile we’re addicted to our phones and social networks, even if they make us miserable. So where do we go from here? Douglas Rushkoff, the renowned media theorist who’s popularized concepts like viral media, suggests one way: Banding together and fighting for our collective humanity.
“It might actually be our first line of defense against actual destruction,” Rushkoff said during his SXSW panel promoting his new book, Team Human. “It might actually ensure our collective survival.”
Really interesting article based on a SXSW interview with Douglas Rushkoff.
A sold-out grandstand packed with more than 100,000 people erupts in a loud roar, drowning out the National Anthem. This is meant to be The Great American Race, bigger, brighter, louder than anything else. An incoming rumble and the ground shakes as six fighter jets streak into view. The cheers are drowned out by the jets, flying so low you swear they could hit the tops of people’s heads.
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But I can’t get caught up in any patriotism, standing next to my red, white and blue Toyota Camry race car. Too many nerves are pulsating through my body, because I’m about to compete in the 2019 Daytona 500.
I love most forms of car and motorcycle racing and NASCAR’s Daytona 500 is a race like no other. A bucket list item for me is to be in a race car for high-speed laps of that speedway.
Five hours after the Wasp was hit, it was irreparably damaged but still drifting with the current. The U.S.S. Lansdowne was ordered to scuttle the carrier with a volley of torpedoes. The Wasp slipped below the surface at 2100 — 9 p.m. — then sank through more than two and a half miles of water to the bottom, where it has remained ever since, a giant carcass surrounded by miles of desert, in the permanent midnight of the deep ocean floor. In total, 194 men on the Wasp were deemed “killed or missing” on Sept. 15, 1942. One of them was John Shea.
On Jan. 2 of this year, a research vessel called the Petrel set out from Honiara, on Guadalcanal, to find the Wasp.
The letter that leads this story is heartbreaking.