Apple:

Apple today updated Final Cut Pro and Logic Pro with powerful new features for creative professionals, and optimizations that take full advantage of the power and performance of the M1 Pro and M1 Max chips in the all-new MacBook Pro. Professional video editors using Final Cut Pro on the new MacBook Pro can perform tasks never before possible on a Mac, like the ability to play seven streams of 8K ProRes or color grade 8K HDR video with the new Liquid Retina XDR display — a first for any notebook. Final Cut Pro also introduces a new Object Tracker that uses machine learning to automatically detect faces and objects, and match their movement to create beautiful, cinema-quality titles and effects on any Mac.

And Logic Pro?

Logic Pro, Apple’s pro music creation software, now comes with a complete set of tools for authoring spatial audio music — allowing anyone to mix and export their songs in Dolby Atmos for Apple Music. And musicians can use up to 3x as many plug-ins for recording on the all-new MacBook Pro with M1 Max. Final Cut Pro and Logic Pro are Universal apps that build upon the breakthrough performance and pro capabilities of macOS Monterey, and both are available today on the Mac App Store.

And:

Spatial audio represents the next generation of sound with its revolutionary audio experience and true multi-dimensional sound and clarity. Now with a complete set of mixing and rendering tools, Logic Pro allows anyone to author their songs as Dolby Atmos music files compatible with Apple Music. Musicians, producers, and mix engineers can expand their stereo projects to the surround channels supported by Dolby Atmos, using new mixer and panner controls. In addition, 13 plug-ins within Logic Pro — including Space Designer, Limiter, Loudness Meter, and Tremolo — have also been updated to take advantage of this new creative capability. Once the songs are published to Apple Music, listeners will be able to enjoy the immersive audio experience on their devices with spatial audio support. With the new MacBook Pro, musicians get workstation-class performance for creating massive spatial audio mixes, can quickly load large sample libraries, and can use up to 3x more plug-ins for recording.

I imagine all the studios are jumping to order these. As I write, I’m watching delivery dates of the loaded machine slip and slip. As I hit Publish, we’re already pushed back into late December.